At one time or anotherwe all migrate to the perimeter,
and the cold skin of our backs
press against the slippery, outer walls
of this living story.
There, with side-tilted headslike troubled dogs, we stare down,
skeptics in empty, ransacked bleachers
where it occurs to us that we must be
lost in some elaborate figment
of our imagination
or actors in a production of sorts,
an improv maybe, or a modern day film noir
all put on, pseudo-electric lighting and all,
dressing rooms abandoned
so that we can go make our cameo appearance
in your dream
hunkered over in some dimly lit alley
you may or may not glance down
as you walk between your car
and the opera.
If finally, I find, that this is,in fact the case,
I'm afraid I'm going to have to excuse myself,
and return to the sharp grace of silence:
the empty moments,
before my mind's eyes
receive the morning,
before I start dividing it
into ornate arrays of objects,
like fragments of colored rock
sprinkled into my empty kaleidoscope.
That is our heritage:the ever-accessible silence,
just bring your hand to your palpitating heart,
it's lingering there between the thuds,
like the momentum-accruing pause,
between winter and the upsurge of spring.
